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Barbara Stanwyck

Barbara Stanwyck

Birthday: 16 July 1907, Brooklyn, New York City, New York, USA
Birth Name: Ruby Catherine Stevens
Height: 165 cm

Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Col ...Show More

Barbara Stanwyck
[In the 1960s, explaining her four-year absence from films after Forty Guns (1957)] Nobody asked me. Show more [In the 1960s, explaining her four-year absence from films after Forty Guns (1957)] Nobody asked me. They don't normally write parts for women my age because America is now a country of youth. We've matured and moved on. The past belongs to the past. Hide
(On her character in Sorry, Wrong Number (1948) "Almost from the word go, she is way up there emotio Show more (On her character in Sorry, Wrong Number (1948) "Almost from the word go, she is way up there emotionally, and stays there day after day...I decided I'd prefer to jump in, bam, go, stay there, up, try to sustain it all the way and shoot the works." Hide
There's nothing more fun in the whole world than seeing a child open a present at Christmas. To have Show more There's nothing more fun in the whole world than seeing a child open a present at Christmas. To have a six-year-old boy stroke a bicycle with his eyes and, not daring to touch, turn and ask, "Is it mine, Missy? Really mine?" That's part of my future. The rest is work. And, I hope, some wisdom. Hide
My only problem is finding a way to play my fortieth fallen female in a different way from my thirty Show more My only problem is finding a way to play my fortieth fallen female in a different way from my thirty-ninth. Hide
[Referring to director Frank Capra] Eyes are the greatest tool in film. Mr. Capra taught me that. Su Show more [Referring to director Frank Capra] Eyes are the greatest tool in film. Mr. Capra taught me that. Sure, it's nice to say very good dialogue, if you can get it. But great movie acting - watch the eyes! Hide
[on filming Titanic (1953)] The night we were making the scene of the dying ship in the outdoor tank Show more [on filming Titanic (1953)] The night we were making the scene of the dying ship in the outdoor tank at Twentieth, it was bitter cold. I was 47 feet up in the air in a lifeboat swinging on the davits. The water below was agitated into a heavy rolling mass and it was thick with other lifeboats full of women and children. I looked down and thought, "If one of these ropes snaps now, it's good-by for you". Then I looked up at the faces lined along the rail -those left behind to die with the ship. I thought of the men and women who had been through this thing in our time. We were re-creating an actual tragedy and I burst into tears. I shook with great racking sobs and couldn't stop. Hide
(On making Sorry, Wrong Number (1948) "Five days I was handling it, starting the next day's work whe Show more (On making Sorry, Wrong Number (1948) "Five days I was handling it, starting the next day's work where I'd picked up, sustaining it all, and then I had two whole days to relax and not to worry about the character, and I tell you it was strange. It was really hard to pump myself up on Monday morning to try to feel that desperate tension." Hide
Egotism - usually just a case of mistaken nonentity. Egotism - usually just a case of mistaken nonentity.
Put me in the last fifteen minutes of a picture and I don't care what happened before. I don't even Show more Put me in the last fifteen minutes of a picture and I don't care what happened before. I don't even care if I was IN the rest of the damned thing - I'll take it in those fifteen minutes. Hide
During Double Indemnity (1944), Fred MacMurray would go to rushes [viewings of daily completed shots Show more During Double Indemnity (1944), Fred MacMurray would go to rushes [viewings of daily completed shots]. I remember asking Fred, "How was I?" [Fred's response was] "I don't know about you, but I was wonderful!" Such a true remark. Actors only look at themselves. Hide
Some kids are born with bad blood just like horses. When a parent has done everything possible, the Show more Some kids are born with bad blood just like horses. When a parent has done everything possible, the only solution is to save yourself. Hide
I want to go on until they have to shoot me. I want to go on until they have to shoot me.
[on performing her favorite title role in Stella Dallas (1937)] The task was to convince audiences t Show more [on performing her favorite title role in Stella Dallas (1937)] The task was to convince audiences that Stella's instincts were fine and noble even though, on the surface she was loud, flamboyant, and a bit vulgar. Hide
I couldn't remember my name for weeks. I'd be at the theater and hear them calling, "Miss Stanwyck, Show more I couldn't remember my name for weeks. I'd be at the theater and hear them calling, "Miss Stanwyck, Miss Stanwyck", and I'd think, "Where is that dame? Why doesn't she answer? By crickie, it's me!" Hide
Career is too pompous a word. It was a job and I have always felt privileged to be paid for doing wh Show more Career is too pompous a word. It was a job and I have always felt privileged to be paid for doing what I love doing. Hide
Attention embarrasses me. I don't like to be on display. Attention embarrasses me. I don't like to be on display.
I'm a tough old broad from Brooklyn. I intend to go on acting until I'm ninety and they won't need t Show more I'm a tough old broad from Brooklyn. I intend to go on acting until I'm ninety and they won't need to paste my face with make-up. Hide
[In 1939 on the fact that her fiancé, Robert Taylor, was four years younger than she] The boy's got Show more [In 1939 on the fact that her fiancé, Robert Taylor, was four years younger than she] The boy's got a lot to learn and I've got a lot to teach. Hide
It's perhaps not the future I would choose. I still think it's possible to make a success of both ma Show more It's perhaps not the future I would choose. I still think it's possible to make a success of both marriage and career, even though I didn't. But it's not a bad future. And I'm not afraid of it. Hide
Barbara Stanwyck's FILMOGRAPHY
as Actor (76)
Barbara Stanwyck Barbara Stanwyck'S roles
Jessica Drummond
Jessica Drummond

Phyllis Dietrichson
Phyllis Dietrichson

Melsa Manton
Melsa Manton

Julia Sturges
Julia Sturges

Elizabeth Lane
Elizabeth Lane

Sugarpuss O'Shea
Sugarpuss O'Shea

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